Wednesday, September 7, 2011

Professional Photo Tips for Travelers

Shared by my friends from International Expeditions

Journeys of a Lifetime: 500 of the World's Greatest TripsBooks on Travel Reference)


We’re sharing veteran wildlife and nature photographer George Ritchey’s tips for getting the most out of your equipment and experience. With over 35 years of wildlife photography experience and credits including Robb Report, Atlanta Journal Constitution andBirmingham Magazine, Ritchey offers travelers tips on how to capture, preserve and enhance their memories while traveling.

·          Equipment
I don’t recommend that you bring a tripod unless it is a very light and mobile. Many of us will have cameras as well as binoculars. More equipment will become cumbersome and difficult to use. I am bringing a combination of walking stick and monopod. Often if your subject is an animal you will not have a lot of time to capture the image before the animal flees thus a tripod is of little use in these situations.

·          Wildlife
When approaching animals in the wild begin taking images during the approach process since you never know at what distance the animal will flee. Take lots of images. It is easy to delete unwanted ones. It is always better to capture a shot approaching the animal rather than the animal fleeing. Zoom in as close as possible. Have your camera ready and accessible at all times. Most animals will not wait for you –Sloth excluded.

·          Composition
Include reflections in your composition. Often the reflection itself will make a good photo. If your composition is in the sun or bright light a neutral density filter or circular polarizing filter should be considered but in darker situations such as the rain forest you will not need to use a filter.

·          How to pack
If your equipment includes many individual parts bring a small day bag or small backpack to house all the pieces that are not in use. Remember travel as light as possible. You will have a much more enjoyable trip. I would rather have the basic equipment than too much equipment.

·          Before leaving home review and study your camera manual. You should know how to operate it and that all functions are working. This is very important if you have a new camera or it’s been awhile since you used your camera. Remember we will have very limited access to any stores after we arrive in Lima. Once a participant in my seminar brought a five year old camera that she did not check, and after driving four hours she was disappointed to find that the camera did not work.

·          Make sure that you pack your camera manual. Many of the new cameras do not come with the manual and if you want one you need to download the manual from the manufacturer. Many strange and unusual malfunctions have occurred in the field and the manual often will supply instruction that can correct the problem. It may mean the difference of lots of images or going home with a disappointing number. Remember most of us will not travel the Amazon again!

·          Bring some type of rain protection for your camera equipment. There are specialty waterproof systems such as Aqua Tech or Kata, Inc. camera covers or you can use something as inexpensive as Ziplock bags. These bags come in sizes from 1 to 3 gallons. I once failed to use an adequate water protector in Alaska, and I spent many hours trying to dry my equipment and praying that it would work. I was successful but many photographers have not been so lucky.

·          Bring some type of security to attach your camera to you. I know that we all want to go home with all the equipment that we started out with. A neck strap or chest harness is acceptable. Gear Keeper offers a retractable device for smaller cameras. Cotton Carrier offer several chest strap carrying systems. I do not think a wrist strap is adequate. One inexpensive solution is to tie a string or small cord to your camera and to the button hole of your shirt. Don’t think it can’t happen to you! My last trip to the Galapagos claimed one unsecured camera.


  1. Whenever I go to Stonehurt Manor or Hampton beach, I always bring my camera with me so I can take pictures. A travel tip that I can share is that don't forget battery chargers for your camera and a travel adapter so you can still take photos the following day.

  2. The second point narrows the focus to the chapter called "The Movie" that kicks off Players. There, DeLillo is obviously using the technique of cinematic narrative known as foreshadowing. I would like to suggest, however, that in this case it does nothing to advance the narrative at all, nor does it enhance the plot, any sense of suspense, our understanding of the characters or the themes, or anything else. I believe it exists in the novel purely for purposes of style, only to heighten our sense of aesthetic appreciation; it stands as a testament to the degree of care, planning, preparation, and levels of concentration and attention that went into the writing of this novel.